C7 is a C major chord with one extra note, Bb. That note changes everything: a plain C can sit still, C7 wants to go somewhere, almost always to F. It is also the sound of the blues, where a seventh chord stops being a passing tension and becomes the home color. If you play the open C, the open C7 is one finger away.
C7 chord: notes and shapes at a glance
- Name: C dominant seventh
- Symbol: C7
- Notes: C, E, G, Bb
- Where it belongs: V7 in F major, V7 in F minor
Each shape below is written from the thickest string to the thinnest: a
number is the fret, 0 an open string, x a string you
do not play. New to this? See how to read chord diagrams.
| Shape | Frets, low E to high E | Notes, low to high | What it is for |
|---|---|---|---|
| C7, open | x32310 | C E Bb C E without G | The open C chord with the fourth finger adding Bb on the G string. No G in it, and it does not need one. |
| C7, shell | 8x89xx | C Bb E without G | Just root, seventh and third: C, Bb, E. The lean voicing of blues and swing rhythm guitar. |
| C7, A shape barre | x35353 | C G Bb E G | All four notes with C in the bass, at the third fret. The standard moveable C7. |
| C7, E shape barre | 8 10 8 9 8 8 | C G Bb E G C | The E7 shape barred at the eighth fret: third finger on the A string, second finger on the G string. |
Read each diagram from the thickest string on the left to the thinnest on the right. A cross means the string is not played, a circle means it rings open.
C7 on the neck: every C, E, G, Bb
Standard tuning, frets 0 to 12. The highlighted notes are the notes of C7: any shape you build from them, anywhere on the neck, is still C7.
How to play the open C7: x32310
Start from the open C chord and add the fourth finger on the G string at fret 3.
| String | Fret | Finger | Note | Role |
|---|---|---|---|---|
| 6 (low E) | x | - | - | Not played |
| 5 (A) | 3 | 3 | C | Root |
| 4 (D) | 2 | 2 | E | Major third |
| 3 (G) | 3 | 4 | Bb | Minor seventh |
| 2 (B) | 1 | 1 | C | Root |
| 1 (high E) | open | - | E | Major third |
The note to check is the Bb on the G string. The fourth finger has to come down on its tip, steeply enough to clear the B string below it. Pick the strings one by one: if the B string is dead, the fourth finger is lying on it.
Why C7 pulls toward F
In the key of F, C7 is the V7 chord. Two of its notes sit a half step from F major and lean into it: E rises to F, and Bb falls to A. Play C7, then F, and you hear that tension resolve. That is why a C7 in a song in C often announces a move to F, the IV chord.
| Chords | Shapes | What to hear |
|---|---|---|
| C7, F | x32310, 133211 | The resolution itself: tension, then rest. |
| C, C7, F | x32010, x32310, 133211 | The seventh added on the way to F, one finger at a time. |
| Gm, C7, F | 355333, x32310, 133211 | The ii V I of F major. |
If the full F barre is still hard, the F chord page has smaller shapes that work in all three lines.
C7 in the blues
In a blues in C, the I chord is often played as C7 instead of C, and it does not resolve: the seventh is the style. A twelve bar blues in C uses C7, F7 and G7, three dominant sevenths in a row, and none of them is expected to settle.
For that sound, the shell 8x89xx is the shape to learn: root on
the low E, seventh on the D string, third on the G string. Three notes, no clutter.
The same shape gives the other two chords of the blues: F7 at the first fret
(1x12xx) and G7 at the third (3x34xx). One hand
position, three chords.
C7, Cmaj7, Cm7: do not mix them up
| Chord | Notes | Sound |
|---|---|---|
| C7 | C, E, G, Bb | Dominant: tense, bluesy, moves on |
| Cmaj7 | C, E, G, B | Soft, bright, can stay put |
| Cm7 | C, Eb, G, Bb | Minor, darker |
| C6 | C, E, G, A | Major, round, a resting chord |
The mix-up that costs the most is C7 against Cmaj7: written "7" alone, the seventh is always Bb. Only "maj7" means B natural.
Frequently asked questions
How do you play a C7 chord on guitar?
What notes are in C7?
What is the difference between C7 and Cmaj7?
Why does C7 lead to F?
Is there an easy C7 without a barre?
Who made this
Guitar Social Club is the work of Yohann Abbou, a guitar teacher in Paris who teaches adults. Every shape on this page is written string by string and checked against standard tuning, and the diagrams are drawn from those same fret numbers. The rest of our free guitar tools, including the chord finder, work the same way.
More about Yohann on his page, and about why Guitar Social Club exists.