Cm7 is a C minor chord with a Bb added on top. It is softer than plain C minor and much less dramatic: the sound of soul, funk and jazz, and the chord that opens the most common progression in the key of B flat. On guitar it has no open version, but it does have a light four string shape you can play before the barre is ready.
Cm7 chord: notes and shapes at a glance
- Name: C minor seventh
- Symbol: Cm7
- Notes: C, Eb, G, Bb
- Where it belongs: vi7 in Eb major, iii7 in Ab major, ii7 in Bb major, im7 in C minor, ivm7 in G minor
Each shape below is written from the thickest string to the thinnest: a
number is the fret, 0 an open string, x a string you
do not play. New to this? See how to read chord diagrams.
| Shape | Frets, low E to high E | Notes, low to high | What it is for |
|---|---|---|---|
| Cm7, four strings | xx1313 | Eb Bb C G | All four notes on the top strings, no stretch. Eb is the lowest note, so it sounds light: fine with a bass player. |
| Cm7, compact | x3131x | C Eb Bb C without G | Root on the fifth string. It leaves out G, the fifth, and still sounds clearly like Cm7: Eb and Bb carry the color. |
| Cm7, barre at the third fret | x35343 | C G Bb Eb G | The complete chord on five strings. The Bm7 shape moved up one fret, and movable to any minor seventh. |
| Cm7, jazz grip | 8x888x | C Bb Eb G | Root on the low E at fret 8, fifth string muted, ring finger flat across D, G and B. Tight and clean for soul and funk. |
| Cm7, full barre | 8 10 8 8 8 8 | C G Bb Eb G C | The E minor seventh shape at fret 8: first finger across all six strings, third finger on the A string at fret 10. |
Read each diagram from the thickest string on the left to the thinnest on the right. A cross means the string is not played, a circle means it rings open.
Cm7 on the neck: every C, Eb, G, Bb
Standard tuning, frets 0 to 12. The highlighted notes are the notes of Cm7: any shape you build from them, anywhere on the neck, is still Cm7.
How to play Cm7, from light to full
1. Four strings: xx1313
First finger flat across the D, G and B strings at fret 1, third finger on the G string at fret 3, fourth finger on the high E at fret 3. Strum only the top four strings. You hear Eb, Bb, C and G: every note of Cm7.
2. Add the root: x3131x
Keep the first finger at fret 1 on the D and B strings, put the third finger on the fifth string (A) at fret 3 for the C, and the fourth finger on the G string at fret 3. The high E and low E are not played. This voicing has no G, and that is fine: Eb and Bb make the chord.
3. The barre: x35343
First finger across the fifth string to the first at fret 3. Third finger on the D string at fret 5, second finger on the B string at fret 4. The barre only needs to sound three notes clearly: C on the fifth string, Bb on the third, G on the first.
Cm7, C7, Cm6: one note apart
The chords around Cm7 differ by a single note, and that note is exactly what you hear.
| Chord | Notes | Sound |
|---|---|---|
| Cm | C, Eb, G | Minor, serious |
| Cm7 | C, Eb, G, Bb | Minor, relaxed, soulful |
| C7 | C, E, G, Bb | Dominant, tense, pulls to F |
| Cm6 | C, Eb, G, A | Minor, elegant, jazz |
| Cm7b5 | C, Eb, Gb, Bb | Dark, unstable |
To hear the step from Cm to Cm7, play x35543 and then x35343. Only the G string moves, from C at fret 5 down to Bb at fret 3.
Cm7 in progressions
Cm7 is above all the ii chord of B flat major, and the progression ii V I is where you will meet it most.
| Progression | Shapes | What to watch |
|---|---|---|
| Cm7, F7, Bbmaj7 | x35343, 1x121x, x13231 | The ii V I of B flat. Cm7 with its root on the fifth string, F7 with its root on the sixth: the hand stays in the first frets. |
| Cm to Cm7 | x35543 to x35343 | One finger lifts: the C on the G string drops to Bb. |
| Cm7 to Cm6 | x3131x to x31213 | Bb becomes A on the G string. Two minor colors, side by side. |
To try it in a song you may know: Radiohead's Creep moves from C to
C minor. Play that C minor as Cm7 (x35343) and listen to how
the change softens. It is not how the song is written, but it is the
quickest way to hear what the seventh adds. More loops are on the chord progressions page.
Common mistakes with Cm7
- Thinking x3131x is wrong because it has no G. It is a real Cm7. Dropping the fifth is standard practice.
- Mixing up Cm7 and C7. Eb against E. If the chord sounds bright and pushy, check the D string.
- Letting the low E ring in x35343. E clashes with Eb: start the strum on the fifth string.
- Squeezing the barre. In x35343 the first finger only has to sound three strings. Let the other fingers do the rest and relax the thumb.
Frequently asked questions
How do you play Cm7 on guitar?
What notes are in a C minor 7 chord?
Is x3131x really a Cm7 if it has no G?
What is the difference between Cm7 and C7?
Why does my Cm7 barre buzz?
Who made this
Guitar Social Club is the work of Yohann Abbou, a guitar teacher in Paris who teaches adults. Every shape on this page is written string by string and checked against standard tuning, and the diagrams are drawn from those same fret numbers. The rest of our free guitar tools, including the chord finder, work the same way.
More about Yohann on his page, and about why Guitar Social Club exists.