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The A minor seventh chord (Am7) on guitar

Am7 is what you get when you take A minor and lift a finger. One open string adds a G, the minor seventh, and the chord loosens up: still minor, but less heavy. It is one of the most natural seventh chords on the guitar, and the one you will meet first in the keys of G and C.

Am7 chord: notes and shapes at a glance

  • Name: A minor seventh
  • Symbol: Am7
  • Notes: A, C, E, G
  • Where it belongs: vi7 in C major, iii7 in F major, ii7 in G major, ivm7 in E minor, im7 in A minor

Each shape below is written from the thickest string to the thinnest: a number is the fret, 0 an open string, x a string you do not play. New to this? See how to read chord diagrams.

Shape Frets, low E to high E Notes, low to high What it is for
Am7, open x02010 A E G C E Two fingers. The open G string supplies G, the minor seventh. The easiest Am7 there is.
Am7, G on top x02213 A E A C G The full A minor grip plus the fourth finger on the high E at fret 3. Same notes, with the seventh as the melody note.
Am7, root on the low E 5x555x A G C E Four strings, A string muted by the second finger. Tight and clean: the soul and funk voicing.
Am7, barre at fret 5 575555 A E G C E A The E minor seventh shape barred at fret 5. All six strings, one finger fewer than the Am barre.
Am7, open x 0 2 0 1 0 · · 2 · 1 · fingers
Am7, G on top x 0 2 2 1 3 · · 2 3 1 4 fingers
Am7, root on the low E 5 x 5 5 5 x 2 · 3 3 3 · fingers
Am7, barre at fret 5 5 7 5 5 5 5 1 3 1 1 1 1 fingers

Read each diagram from the thickest string on the left to the thinnest on the right. A cross means the string is not played, a circle means it rings open.

Am7 on the neck: every A, C, E, G

Standard tuning, frets 0 to 12. The highlighted notes are the notes of Am7: any shape you build from them, anywhere on the neck, is still Am7.

Swipe the fretboard sideways to see every fret.
0
1
2
3
4
5
6
7
8
9
10
11
12
1 - E
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
2 - B
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
3 - G
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
4 - D
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
5 - A
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
6 - E
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E

Two open shapes, one extra note

Every Am7 is A minor plus G. The open position gives you two places to put that G.

x02010: lift the third finger

Start from Am (x02210) and take the third finger off the G string. The open G rings, and that is your seventh. Second finger on the D string at fret 2, first finger on the B string at fret 1, and that is all. Strum from the A string.

x02213: add the fourth finger

Keep the full Am grip and add the fourth finger on the high E at fret 3. The G now sits at the top of the chord, where the ear hears it most. It sounds brighter and more singing than x02010.

Play Am, then x02010, then Am again. The only thing that changes is one note in the middle of the chord, A to G. Learn to hear that, and you will recognize minor seventh chords in any song.

Am7, A7 and Amaj7: not the same chord

The three names look alike and the open shapes differ by a single fret, but they do different jobs.

Chord Notes Open shape Sound
Am7 A, C, E, G x02010 Minor, soft, relaxed
A7 A, C#, E, G x02020 Dominant, restless, wants to move to D
Amaj7 A, C#, E, G# x02120 Major, bright, dreamy

Am7 and A7 share the G; what separates them is C against C#. The full story of each is on the A7 chord and Amaj7 chord pages.

Progressions that use Am7

Am7 is the ii chord of G major and the vi chord of C major, and it behaves accordingly: in G it leads to D7, in C it sits between C and the chords that bring you home.

Progression Shapes What it does
Am7, D7, Gmaj7 x02010, xx0212, 3x0002 A ii V I in G. The jazz cadence in its simplest open form.
C, G, Am7, F x32010, 320003, x02010, 133211 The pop progression with a softer vi chord.
Cmaj7, Am7, Dm7, G7 x32000, x02010, xx0211, 320001 A soul turnaround in C. Notice how little the hand moves between Cmaj7 and Am7.

To hear it: Bob Dylan's Knockin' on Heaven's Door turns on G, D and Am7, and Cat Stevens' Father and Son passes through Am7 in the verse. Related pages: D7, Dm7, Cmaj7 and the plain A minor chord.

Common mistakes

  • Letting the low E ring. E belongs to the chord, but as the lowest note it muddies the open shapes. Start the strum on the A string.
  • Muting the open G in x02010. The second finger leans back onto it. Arch the finger: the G string is the whole point of the shape.
  • Mixing up Am7 and A7. If the chord sounds bluesy and restless, check the B string: fret 1, not fret 2.
  • Swapping Am for Am7 everywhere. It is a color, not an upgrade. Try it, listen to the melody, and keep plain Am where the G clashes.

Frequently asked questions

How do you play Am7 on guitar?
The easy way is x02010: second finger on the D string at fret 2, first finger on the B string at fret 1, every other string open except the low E. It is A minor with the third finger lifted.
What notes are in Am7?
A, C, E and G: an A minor triad (A, C, E) plus G, the minor seventh. The formula is 1, b3, 5, b7.
What is the difference between Am7 and A7?
The third. Am7 has C, A7 has C#. Both have G. On the open shapes it is the B string: fret 1 in Am7 (x02010), fret 2 in A7 (x02020). Am7 sounds soft and minor, A7 sounds like it wants to move.
Can I play Am7 instead of Am?
Often, but listen first. The G adds air and takes some weight off the minor sound. In a strummed folk or pop song it usually fits; if the melody sings A over that chord, the G can rub against it.
Which Am7 should I use, x02010 or x02213?
Both are correct and have the same four notes. x02010 hides the G in the middle of the chord; x02213 puts it on top, so it sounds brighter and more like a melody. Pick by ear, and by where your fingers come from.
Yohann Abbou, guitar teacher and founder of Guitar Social Club

Who made this

Guitar Social Club is the work of Yohann Abbou, a guitar teacher in Paris who teaches adults. Every shape on this page is written string by string and checked against standard tuning, and the diagrams are drawn from those same fret numbers. The rest of our free guitar tools, including the chord finder, work the same way.

More about Yohann on his page, and about why Guitar Social Club exists.