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The D7 chord on guitar: open shape, barres and where it leads

D7 is a D major chord with one extra note, C, and that note changes its whole personality. Plain D can sit still; D7 leans forward and wants to go to G. The open shape takes three fingers and is one of the first seventh chords most players learn. The trick is to hear it as a question that G answers, not just as a shape on a chart.

D7 chord: notes and shapes at a glance

  • Name: D dominant seventh
  • Symbol: D7
  • Notes: D, F#, A, C
  • Where it belongs: V7 in G major, V7 in G minor

Each shape below is written from the thickest string to the thinnest: a number is the fret, 0 an open string, x a string you do not play. New to this? See how to read chord diagrams.

Shape Frets, low E to high E Notes, low to high What it is for
D7, open xx0212 D A C F# The one everybody learns: three fingers, top four strings, all four notes.
D7, C7 shape x5453x D F# C D without A The open C7 moved up two frets. Root on the fifth string and no barre; it leaves out the fifth, A.
D7, fifth fret barre x57575 D A C F# A The A7 barre shape. Complete, movable, and the go-to D7 for blues and rock rhythm.
D7, tenth fret barre 10 12 10 11 10 10 D A C F# A D The E7 barre shape, root on the low E. A full, six string D7 higher up the neck.
D7, open x x 0 2 1 2 · · · 2 1 3 fingers
D7, C7 shape x 5 4 5 3 x · 3 2 4 1 · fingers
D7, fifth fret barre x 5 7 5 7 5 · 1 3 1 4 1 fingers
D7, tenth fret barre 10 12 10 11 10 10

Read each diagram from the thickest string on the left to the thinnest on the right. A cross means the string is not played, a circle means it rings open.

D7 on the neck: every D, F#, A, C

Standard tuning, frets 0 to 12. The highlighted notes are the notes of D7: any shape you build from them, anywhere on the neck, is still D7.

Swipe the fretboard sideways to see every fret.
0
1
2
3
4
5
6
7
8
9
10
11
12
1 - E
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
2 - B
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
3 - G
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
4 - D
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
5 - A
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
6 - E
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E

How to play open D7, finger by finger

  1. Second finger on the G string, fret 2. That note is A, the fifth.
  2. First finger on the B string, fret 1. That note is C, the seventh: the one that makes the chord a D7.
  3. Third finger on the high E string, fret 2. That note is F#.
  4. Strum from the open D string down. Do not play the low E or the A string.

Look at the shape and you will see open D flipped over. In D, the note on the B string sits one fret further from the headstock than the other two; in D7 it sits one fret closer. Pick each string one at a time and check that the B string rings. If it is muted, the C is missing and you are left with a plain D sound.

If the first finger buzzes or mutes the high E, it is lying too flat. Bring the wrist slightly forward under the neck so the fingertip lands straight down on the B string.

Why D7 pulls toward G

In the key of G, D7 is the V7 chord. Two of its notes sit a half step away from G major: F# leans up to G, and C leans down to B. Play the change slowly and you can follow both voices on the top strings.

Change Shapes What to listen for
D, D7, G xx0232, xx0212, 320003 D sits, D7 leans, G resolves. The B string moves D, C, then B.
Am, D7, G x02210, xx0212, 320003 The ii, V, I of G major. Keep the first finger close to fret 1.
D7, G7 xx0212, 320001 The V7 to I7 move of a blues in G, where even the home chord is a seventh.

In a blues in D the job changes. D7 is the home chord there, played as a seventh from the first bar, because blues treats the dominant seventh as a resting place. The chord progressions page lays out the 12 bar pattern.

D7 up the neck

x5453x is the open C7 moved up two frets: third finger on the A string at fret 5, second finger on the D string at fret 4, fourth finger on the G string at fret 5, first finger on the B string at fret 3. No barre, root in the bass, and a slightly thinner sound because A is left out.

x57575 is the A7 barre shape: first finger across the fifth fret from the A string to the high E, third finger on the D string at fret 7, fourth finger on the B string at fret 7. The G string stays on the barre and gives you C.

10 12 10 11 10 10 is the E7 barre shape: barre at fret 10, third finger on the A string at fret 12, second finger on the G string at fret 11. The D string stays on the barre and gives you C.

One more you will see on charts: D7/F#, played 2x0212. It is the open D7 with F# added on the low E string (thumb or second finger). Same four notes, but F# in the bass makes it a walking step between chords, for example G, D7/F#, Em.

D7 and its neighbors

Chord Notes Sound
D D, F#, A Stable major
D7 D, F#, A, C Dominant: blues, folk, a push toward G
Dmaj7 D, F#, A, C# Soft and dreamy, no push
D7sus4 D, G, A, C D7 with its third held back
D9 D, F#, A, C, E D7 with a ninth: funk and soul

The same open dominant sound in other keys: C7 and E7.

Frequently asked questions

How do you play a D7 chord on guitar?
Play xx0212: second finger on the G string at fret 2, first finger on the B string at fret 1, third finger on the high E at fret 2, and the D string open. Strum from the D string down; leave the low E and A strings silent.
What notes are in a D7 chord?
D, F#, A and C. D, F# and A are the D major chord; C is the flat seventh, the note that turns it into a dominant seventh.
What is the difference between D7 and Dmaj7?
The seventh. D7 has C natural, Dmaj7 has C#. On the open shapes, that is the B string at fret 1 (D7, xx0212) against fret 2 (Dmaj7, xx0222). D7 sounds bluesy and wants to move; Dmaj7 sounds settled and dreamy.
What chord does D7 go to?
Most often G (or G minor). D7 is the V7 chord of G: the F# rises a half step to G, and the C falls a half step to B. Play xx0212 then 320003 and you hear the chord resolve.
Is D7 hard to play?
No. It is one of the easier open chords, a mirror image of open D. The usual problem is the first finger at fret 1 leaning on the high E string: arch the finger so the tip comes down straight onto the B string.
Yohann Abbou, guitar teacher and founder of Guitar Social Club

Who made this

Guitar Social Club is the work of Yohann Abbou, a guitar teacher in Paris who teaches adults. Every shape on this page is written string by string and checked against standard tuning, and the diagrams are drawn from those same fret numbers. The rest of our free guitar tools, including the chord finder, work the same way.

More about Yohann on his page, and about why Guitar Social Club exists.