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The F#7 chord on guitar: easy shape, barre and resolution

F#7 is the chord that pushes a song toward B. It is F# major with an E added, and that E creates the tension a dominant chord is made of. Most chord charts show it as a barre at the second fret, but there is a complete four string version with no barre at all, thanks to the open high E. Start there, then move to the barre when you need the full sound.

F#7 chord: notes and shapes at a glance

  • Name: F sharp dominant seventh
  • Symbol: F#7
  • Notes: F#, A#, C#, E
  • Where it belongs: V7 in B major, V7 in B minor

Each shape below is written from the thickest string to the thinnest: a number is the fret, 0 an open string, x a string you do not play. New to this? See how to read chord diagrams.

Shape Frets, low E to high E Notes, low to high What it is for
F#7, four strings xx4320 F# A# C# E No barre: three fingers and the open high E, which is the seventh. Strum the top four strings.
F#7, thumb bass 2x4320 F# F# A# C# E The same shape with the thumb on F# at the second fret of the low E. The fifth string stays muted.
F#7, barre at the second fret 242322 F# C# E A# C# F# The standard F#7: the open E7 shape moved up two frets. The barre itself plays E, the seventh, on the fourth string.
F#7, ninth fret x 9 11 9 11 9 F# C# E A# C# The A7 shape barred at fret 9: third finger on the fourth string at fret 11, fourth finger on the second string at fret 11.
F#7, four strings x x 4 3 2 0 · · 3 2 1 · fingers
F#7, thumb bass 2 x 4 3 2 0 T · 3 2 1 · fingers
F#7, barre at the second fret 2 4 2 3 2 2 1 3 1 2 1 1 fingers
F#7, ninth fret x 9 11 9 11 9

Read each diagram from the thickest string on the left to the thinnest on the right. A cross means the string is not played, a circle means it rings open.

F#7 on the neck: every F#, A#, C#, E

Standard tuning, frets 0 to 12. The highlighted notes are the notes of F#7: any shape you build from them, anywhere on the neck, is still F#7.

Swipe the fretboard sideways to see every fret.
0
1
2
3
4
5
6
7
8
9
10
11
12
1 - E
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
2 - B
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
3 - G
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
4 - D
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
5 - A
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
6 - E
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E

How to play F#7, step by step

1. No barre: xx4320

Third finger on the fourth string at fret 4 (F#), second finger on the third string at fret 3 (A#), first finger on the second string at fret 2 (C#). Leave the high E open: it is the seventh. Strum from the fourth string down.

2. The barre: 242322

Lay the first finger across all six strings at fret 2. Third finger on the fifth string at fret 4, second finger on the third string at fret 3. The fourth string has no finger of its own: the barre plays E there, and that E is what makes the chord a seventh.

From an F# barre (244322), lift the fourth finger off the fourth string and you are on F#7. It is the open E7 shape moved up two frets, which is why it is easier than F# itself: one finger fewer.

F#7 leads to B

F#7 is the V7 of B. Its A# wants to rise a half step to B, and its E wants to fall to the third of the next chord. Play F#7, hold it, and your ear will ask for B or B minor. That is why it shows up right before them.

Change Shapes What to watch
F#7 to B 242322 to x24442 V7 to I. The first finger stays on fret 2; the rest of the hand regroups at fret 4.
F#7 to Bm 242322 to x24432 V7 to i, the classic minor key resolution.
Bm to F#7 (no barre) xx4432 to xx4320 The third finger keeps fret 4 on the fourth string.
C#m7, F#7, B x46454, 242322, x24442 ii, V7, I in B: the move that drives a lot of soul and jazz.

For the chords on either side, see B, B minor, B7 and C#m7.

Where you hear F#7

Two well known songs put it to work. Stevie Wonder's Isn't She Lovely loops C#m7, F#7, B7 and E, each chord a fifth below the last, with F#7 in the middle of the chain. The Eagles' Hotel California is in B minor and comes back to Bm through F#: its chord list includes both F# and F#7.

In both cases F#7 is a tension, not a resting place. Do not linger on it unless the song does.

Common mistakes

  • The E on the fourth string is dead. In the barre shape no finger covers it, so the barre must. Keep the first finger close to the fret wire and check that string on its own.
  • The open A rings in xx4320. A is not in F#7 and it clashes with A#. Start the strum on the fourth string.
  • Confusing F#7 and F#m7. The "m" changes the third. If your chart says F#7, the second finger stays on the third string at fret 3.

Frequently asked questions

How do you play F#7 on guitar?
The standard version is 242322: first finger barred across all six strings at fret 2, third finger on the fifth string at fret 4, second finger on the third string at fret 3. For a version with no barre, play xx4320 on the top four strings.
What notes are in F#7?
F#, A#, C# and E. F#, A# and C# make F# major; E is the flat seventh, which turns it into a dominant chord. A# is the same pitch as Bb.
What chord does F#7 resolve to?
To B, major or minor. F#7 is the V7 of B: its A# rises to B, and its E falls to D# (in B major) or D (in B minor). That pull is why you find it right before a B or Bm chord.
What is the difference between F#7 and F#m7?
The third. F#7 has A#, a major third, and sounds tense. F#m7 has A, a minor third, and sounds soft. In the barre shapes, 242322 becomes 242222 when the second finger leaves the third string.
Yohann Abbou, guitar teacher and founder of Guitar Social Club

Who made this

Guitar Social Club is the work of Yohann Abbou, a guitar teacher in Paris who teaches adults. Every shape on this page is written string by string and checked against standard tuning, and the diagrams are drawn from those same fret numbers. The rest of our free guitar tools, including the chord finder, work the same way.

More about Yohann on his page, and about why Guitar Social Club exists.