D9 is a D7 with one more note on top, E, the ninth. It keeps the dominant pull of D7 and adds a smoother, warmer color, which is why it lives in funk, soul and blues. On guitar you rarely play all five notes: the classic shape sits at the fifth fret on four strings, leaves out the fifth, and uses one flat finger for two notes. Learn that grip and you also know C9, E9, G9 and A9.
D9 chord: notes and shapes at a glance
- Name: D dominant ninth
- Symbol: D9
- Notes: D, F#, A, C, E
Each shape below is written from the thickest string to the thinnest: a
number is the fret, 0 an open string, x a string you
do not play. New to this? See how to read chord diagrams.
| Shape | Frets, low E to high E | Notes, low to high | What it is for |
|---|---|---|---|
| D9, funk shape | x5455x | D F# C E without A | The one funk players use: four strings, root on the fifth string, the third finger flat on the G and B strings. No fifth, on purpose. |
| D9, five strings | x54555 | D F# C E A | The same grip with the third finger flattened over the high E too. Adds the fifth, A, for a fuller strum. |
| D9, tenth fret barre | 10 12 10 11 10 12 | D A C F# A E | The E9 shape barred at fret 10, root on the low E. All five notes. |
| D9, high and rootless | x x 10 11 10 12 | C F# A E without D | C, F#, A and E with no D. A bright top voicing for when the bass player holds the root. |
Read each diagram from the thickest string on the left to the thinnest on the right. A cross means the string is not played, a circle means it rings open.
D9 on the neck: every D, F#, A, C, E
Standard tuning, frets 0 to 12. The highlighted notes are the notes of D9: any shape you build from them, anywhere on the neck, is still D9.
How to play the funk D9, x5455x
- First finger on the D string, fret 4. That note is F#, the third.
- Second finger on the A string, fret 5. That note is D, the root.
- Third finger flat across the G and B strings at fret 5. Those notes are C, the seventh, and E, the ninth.
- Mute the low E with the tip of the second finger and let the flat third finger lightly touch the high E, so you can strum freely.
Flattening the third finger over two strings keeps the fourth finger free and lets you move the whole shape as one block. If the B string dies under the flat finger, bend the first joint back a little so the pad, not the crease, presses the string.
x54555: the same chord with the fifth added on top. Use it for full strums; go
back to four strings for tight funk chops.
One shape, five ninth chords
The root of x5455x is on the A string, so sliding the shape changes the chord a half step per fret. These are the four strings the shape plays: root, third, seventh and ninth.
| Chord | Shape | Notes played |
|---|---|---|
| C9 | x3233x | C, E, Bb, D |
| D9 | x5455x | D, F#, C, E |
| E9 | x7677x | E, G#, D, F# |
| G9 | x 10 9 10 10 x | G, B, F, A |
| A9 | x 12 11 12 12 x | A, C#, G, B |
Funk players slide between neighbors, for example D9 to E9 and back, two frets apart, without rebuilding the hand. Try it with short, muted strums.
D9, D7, D7#9, Dadd9: what changes
| Chord | Notes | Sound |
|---|---|---|
| D7 | D, F#, A, C | Plain dominant |
| D9 | D, F#, A, C, E | Dominant with a smooth ninth |
| D7#9 | D, F#, A, C, E# | Ninth raised a half step: rough and bluesy |
| Dadd9 | D, F#, A, E | No seventh: bright, settled, not a dominant |
D9 does the same job as D7: in the key of G it is the chord that leads home, and in a blues in G it can replace D7 on the V chord bars for more color. In funk it often works the other way, as the one chord a whole groove sits on.
You may also see xx0210 called an easy D9. It plays D, A, C and
E: the seventh and the ninth are there, but not the third, F#. It is an open,
suspended sounding color that works over a D bass line, not a complete D9.
Frequently asked questions
How do you play a D9 chord on guitar?
What notes are in a D9 chord?
What is the difference between D7 and D9?
What is the difference between D9 and Dadd9?
Why does the funk D9 shape use only four strings?
Who made this
Guitar Social Club is the work of Yohann Abbou, a guitar teacher in Paris who teaches adults. Every shape on this page is written string by string and checked against standard tuning, and the diagrams are drawn from those same fret numbers. The rest of our free guitar tools, including the chord finder, work the same way.
More about Yohann on his page, and about why Guitar Social Club exists.