Am7b5 looks intimidating on a chord sheet and turns out to be one of the friendliest half-diminished chords on the guitar: in open position it takes two fingers. It is Am7 with its fifth lowered a half step, and that single change turns a relaxed chord into one that leans forward, toward D7 and G minor.
Am7b5 chord: notes and shapes at a glance
- Name: A half-diminished (minor seventh flat five)
- Symbol: Am7b5
- Notes: A, C, Eb, G
- Where it belongs: viim7b5 in Bb major, iim7b5 in G minor
Each shape below is written from the thickest string to the thinnest: a
number is the fret, 0 an open string, x a string you
do not play. New to this? See how to read chord diagrams.
| Shape | Frets, low E to high E | Notes, low to high | What it is for |
|---|---|---|---|
| Am7b5, open | x0101x | A Eb G C | Two fingers and two open strings. The quickest way to hear a half-diminished chord. |
| Am7b5, root on the low E | 5x554x | A G C Eb | Four strings, A string muted. The compact jazz voicing, and the one that leads straight into D7 at fret 5. |
| Am7b5, top four strings | xx7888 | A Eb G C | The same order of notes as the open shape, moved to the top strings. A on the D string, C on top. |
| Am7b5, root on the A string | x 12 13 12 13 x | A Eb G C | The movable shape with its root on the A string: first finger on the A string at fret 12, second on the G string at 12, third on the D string at 13, fourth on the B string at 13. Slide it to any half-diminished chord. |
Read each diagram from the thickest string on the left to the thinnest on the right. A cross means the string is not played, a circle means it rings open.
Am7b5 on the neck: every A, C, Eb, G
Standard tuning, frets 0 to 12. The highlighted notes are the notes of Am7b5: any shape you build from them, anywhere on the neck, is still Am7b5.
Reading the name
Take the symbol apart. Am7 is A, C, E, G. b5 means the fifth, E, comes down a half step to Eb. So Am7b5 is A, C, Eb and G. Eb sits on the same fret as D#; it is written Eb because it is an altered E, not a new note.
| Chord | Notes | Open shape |
|---|---|---|
| Am7 | A, C, E, G | x02010 |
| Am7b5 | A, C, Eb, G | x0101x |
On the guitar the change is a single fret: the D string goes from 2 to 1. Play the two shapes back to back and the b5 jumps out. Other names you will see on charts: A half diminished, Aø7, Aø.
The open shape, string by string
| String | Fret | Note | Role |
|---|---|---|---|
| A (5th) | 0 | A | Root |
| D (4th) | 1 | Eb | Flat fifth |
| G (3rd) | 0 | G | Minor seventh |
| B (2nd) | 1 | C | Minor third |
Am7b5, D7, Gm: the minor ii V i
Half-diminished chords live in minor keys, and Am7b5 is the ii chord of G minor. It pulls to D7, which pulls home to Gm.
| Version | Am7b5 | D7 | Gm |
|---|---|---|---|
| Open | x0101x | xx0212 | 355333 |
| Compact, around fret 5 | 5x554x | x5453x | 3x333x (Gm7) |
The compact row is how a jazz guitarist would comp it: the hand barely moves, and each chord shares notes with the next. This cadence is a signature of Autumn Leaves as it is usually played, in G minor. See the D7 and G minor pages for those chords on their own.
Am7b5 and Cm6: same notes, different bass
Spell C minor sixth: C, Eb, G, A. Those are exactly the notes of Am7b5. With A in the bass you hear Am7b5; with C in the bass you hear Cm6. Useful when a chart asks for one and your hand already knows the other.
The half-diminished family on this site: Gm7b5, Bm7b5, Cm7b5 and Dm7b5. And for the chord Am7b5 grows out of, see Am7.
Frequently asked questions
How do you play Am7b5 on guitar?
What notes are in Am7b5?
Is Am7b5 the same as A half diminished?
What is the difference between Am7 and Am7b5?
Where is Am7b5 used?
Who made this
Guitar Social Club is the work of Yohann Abbou, a guitar teacher in Paris who teaches adults. Every shape on this page is written string by string and checked against standard tuning, and the diagrams are drawn from those same fret numbers. The rest of our free guitar tools, including the chord finder, work the same way.
More about Yohann on his page, and about why Guitar Social Club exists.