C minor has no friendly open shape like Am or Em, so most chord charts jump straight to a barre at the third fret. You do not have to. There is a small three string Cm near the nut, and the full barre is simply the B minor shape moved up one fret. Build it in layers, and every layer is already a real C minor you can use in a song.
Cm chord: notes and shapes at a glance
- Name: C minor
- Symbol: Cm
- Notes: C, Eb, G
- Where it belongs: vi in Eb major, iii in Ab major, ii in Bb major, i in C minor, iv in G minor
Each shape below is written from the thickest string to the thinnest: a
number is the fret, 0 an open string, x a string you
do not play. New to this? See how to read chord diagrams.
| Shape | Frets, low E to high E | Notes, low to high | What it is for |
|---|---|---|---|
| Cm, three strings | x310xx | C Eb G | The quickest C minor there is: three notes, one open string, no barre. Best for picking or a light strum. |
| Cm, small triad | xx554x | G C Eb | The same triad up the neck, ready to slide. G sits in the bass, so it sounds lighter than the full chord. |
| Cm, four strings | xx5543 | G C Eb G | The easy Cm for strumming: complete, no barre, top four strings only. |
| Cm, with the C bass | x3554x | C G C Eb | Adds C on the fifth string so the chord stands on its root. The first finger is already where the barre goes. |
| Cm, barre | x35543 | C G C Eb G | The standard C minor: the B minor barre moved up one fret, five strings, root in the bass. |
Read each diagram from the thickest string on the left to the thinnest on the right. A cross means the string is not played, a circle means it rings open.
Cm on the neck: every C, Eb, G
Standard tuning, frets 0 to 12. The highlighted notes are the notes of Cm: any shape you build from them, anywhere on the neck, is still Cm.
How to play Cm, one layer at a time
1. Three strings near the nut: x310xx
Third finger on the A string at fret 3 (C), first finger on the D string at fret 1 (Eb), G string open (G). Pick or strum those three strings only. The low E and the top two strings stay out: on this shape they are not part of the chord.
2. The small triad: xx554x
Second and third fingers on the D and G strings at fret 5, first finger on the B string at fret 4. Same three notes, now in a shape that can move: slide it down one fret and it becomes Bm.
3. Four strings: xx5543
Regroup the fingers the way the barre will want them: first finger on the high E at fret 3, second on the B string at fret 4, third on the D string and fourth on the G string, both at fret 5. Strum the top four strings. This is the shape to stay on while the barre is still coming.
4. Add the root, then the barre: x3554x, x35543
Put the first finger on the A string at fret 3: that C in the bass makes the chord sound anchored. Then lay the same finger flat from the fifth string to the first. It only has to press two notes, C on the fifth string and G on the first; the fingers in between cover the rest.
C to Cm: one note changes the mood
C major is C, E and G. C minor is C, Eb and G. Two notes stay, and only
the third drops a half step, from E to Eb. That single note is why the
chord turns from bright to dark. Play x32010, the open C chord, then x35543, and listen for the moment the color flips. Do
it until you hear the difference without thinking: in a chord chart, C and
Cm are one letter apart and easy to misread.
Common Cm mistakes, and the fix
| What you hear | Likely cause | The fix |
|---|---|---|
| A note that does not belong on x310xx | The strum hits all six strings | Aim for the A, D and G strings only. Pick them one at a time first. |
| The high E dies on the barre | The first finger sits too far from the fret | Slide it up behind the fret wire and roll it slightly onto its bony edge. |
| A buzz on the fifth string | The root is under pressed, not the whole barre | Only the fifth and first strings depend on the first finger. Press those two, relax the middle. |
| The chord sounds major | You played C instead of Cm | Check the chart again: Cm needs Eb, so the B string at fret 4. |
Getting in and out of Cm
| Change | Shapes | What to watch |
|---|---|---|
| C to Cm | x32010 to x35543 | The major to minor switch. Listen for the third. |
| G, B, C, Cm | 320003, x24442, x32010, x35543 | The minor IV after the major IV: C to Cm is where the sadness comes in. |
| Gm to Cm | 355333 to x35543 | Same fret, two barres. Move the bass from the sixth string to the fifth and stop strumming the low E. |
Where Cm shows up
In the key of G minor, Cm is the iv chord, and G minor songs lean on the move from Gm to Cm and back. In a major key, Cm often arrives as a borrowed chord: in the key of G, C is the IV, and turning it into Cm for a bar gives the bittersweet drop you hear in a lot of rock ballads.
To hear it in context: Radiohead's Creep cycles through G, B, C and Cm; Bob Marley's I Shot the Sheriff moves between Gm and Cm; The Police's Roxanne uses Cm alongside Gm, Dm, Eb, Bb and F. The chord progressions page shows how these moves are built.
Frequently asked questions
How do you play a Cm chord on guitar?
What is the easiest way to play C minor?
What notes are in a C minor chord?
Is Cm the same shape as Bm?
Can I play C5 instead of Cm?
Who made this
Guitar Social Club is the work of Yohann Abbou, a guitar teacher in Paris who teaches adults. Every shape on this page is written string by string and checked against standard tuning, and the diagrams are drawn from those same fret numbers. The rest of our free guitar tools, including the chord finder, work the same way.
More about Yohann on his page, and about why Guitar Social Club exists.