Seventh chords are four-note chords: a triad with a seventh on top. You meet them in blues, rock, folk, country, soul, funk, jazz and a great deal of pop. Behind the one word hide four families, and confusing them is the most common chord-reading mistake there is. This page maps all four, then focuses on the one you will play most, the plain 7 of G7, E7 and A7.
The four seventh chord families
"Seventh" is not enough to name a chord. It depends on the triad underneath, major or minor, and on the seventh added, major or minor. Here are the four, all built on C:
| Family | Symbol | Formula | Notes | Sound |
|---|---|---|---|---|
| Dominant seventh | C7 | 1 3 5 b7 | C E G Bb | Tense, bluesy, wants to move |
| Major seventh | Cmaj7 | 1 3 5 7 | C E G B | Soft, bright, at rest |
| Minor seventh | Cm7 | 1 b3 5 b7 | C Eb G Bb | Minor, but rounder |
| Half-diminished | Cm7b5 | 1 b3 b5 b7 | C Eb Gb Bb | Unstable, leads somewhere |
On the neck, near the nut, they look like this: C7 x32310,
Cmaj7 x32000, Cm7 x3131x, Cm7b5 x3434x. Each of the other three families has its own page with its shapes and
its chords. The rest of this page is about the dominant 7.
How to read the symbols
Chord charts do not always write the same chord the same way:
- C7: always the dominant seventh. Never anything else.
- Cmaj7, CM7, CΔ or CΔ7: four ways to write the major seventh.
- Cm7, Cmin7 or C-7: three ways to write the minor seventh.
- Cm7b5 or Cø: the half-diminished chord.
The dominant 7: a major chord plus a minor seventh
Take a major chord and add the note a whole step below the octave. That is the dominant seventh, formula 1 3 5 b7. G7 is G, B, D and F: B is the major third, F the minor seventh.
| Major chord | Add the minor seventh | Seventh chord |
|---|---|---|
| C E G | Bb | C7: C E G Bb |
| D F# A | C | D7: D F# A C |
| E G# B | D | E7: E G# B D |
| G B D | F | G7: G B D F |
The tension comes from two of those notes: the major third and the minor seventh, B and F in G7, C# and G in A7, G# and D in E7. They form a tritone, and a tritone wants to resolve.
Open and movable dominant 7 shapes
Five open shapes cover a huge amount of music, and none needs a barre. Start with E7, A7 and D7.
When there is no open shape, move one. The E7 shape barred gives every dominant 7 with its root on the sixth string: F7 at the first fret, G7 at the third.
The A7 shape does the same with the root on the fifth string: x24242 is B7 at the second fret, and one fret higher it becomes C7. To find each
root quickly, learn the notes on the fretboard.
What a 7 chord does: V7 to I, and the blues
The classic job of a dominant seventh is to sit on the fifth degree of a key and lead home. That move is written V7 to I:
| V7 | Resolves to |
|---|---|
| G7 | C |
| A7 | D |
| E7 | A, or A minor |
| B7 | E, or E minor |
| C7 | F |
| D7 | G |
The blues uses the same chords another way. In a twelve bar blues in E, all three chords are sevenths, E7, A7 and B7, and nobody expects them to resolve: the 7 is simply the sound of the style. So a 7 chord either pushes toward the next chord or sets the mood of a whole song.
The same pull comes in other flavors, all listed below: the 7sus4 delays the third, the 9 adds the ninth on top, and the 7#9 adds the sharp ninth, the crunchy chord of funk and blues rock.
Dominant seventh chords
Ninth chords
7sus4 chords
- D7sus4 chord (D G A C)
- E7sus4 chord (E A B D)
- A7sus4 chord (A D E G)
7#9 chords
- D7#9 chord (D F# A C E#)
7, maj7 or m7: which one to play?
- You are reading a chart: play what is written. C7, Cmaj7 and Cm7 are not interchangeable.
- You are simplifying a song: the plain triad, major or minor, is always correct. The seventh is a color, never an obligation.
- You are arranging: the 7 adds pull or a blues mood, the maj7 softens a stable major chord (often the I or the IV), the m7 rounds off a minor chord, and the m7b5 prepares a minor cadence. The chords in every key page shows which degree takes which seventh.
Learn them in this order: E7, A7 and D7 first; then G7, C7 and B7; then F7 and the movable shapes. After that, add the major seventh and minor seventh chords, and finally the half-diminished ones.
Frequently asked questions
What is a seventh chord?
What does the 7 in G7 mean?
What is the difference between C7 and Cmaj7?
Why do dominant seventh chords sound tense?
Which seventh chords should I learn first?
Can I replace every major chord with a 7?
Who made this
Guitar Social Club is the work of Yohann Abbou, a guitar teacher in Paris. He teaches adults, and the first thing he does with seventh chords is separate the four families, because most of the confusion comes from that single word. All the chord families are gathered on the guitar chords page.
More about Yohann on his page, and about why Guitar Social Club exists.