Gmaj7/B is Gmaj7 with its third, B, as the lowest note. Two fingers, three open strings, and a sound that is light and a little suspended, as if the chord had not quite landed. The slash tells you the bass note; the chord itself does not change.
Gmaj7/B chord: notes and shapes at a glance
- Name: G major seventh over B
- Symbol: Gmaj7/B
- Notes: G, B, D, F#
- Bass note: B, the lowest note you play
- Where it belongs: IVmaj7 in D major, Imaj7 in G major, IIImaj7 in E minor, VImaj7 in B minor
Each shape below is written from the thickest string to the thinnest: a
number is the fret, 0 an open string, x a string you
do not play. New to this? See how to read chord diagrams.
| Shape | Frets, low E to high E | Notes, low to high | What it is for |
|---|---|---|---|
| Gmaj7/B, open | x20002 | B D G B F# | Two fingers, three open strings. B in the bass, F# on top. |
| Gmaj7/B, with D on top | x20032 | B D G D F# | Adds D on the B string at fret 3. A little denser, F# still on top. |
| Gmaj7/B, closed | 7x5777 | B G D F# B | No open strings, for higher up the neck. B on the low E, the third finger flat across the top three strings at fret 7. |
Read each diagram from the thickest string on the left to the thinnest on the right. A cross means the string is not played, a circle means it rings open.
Gmaj7/B on the neck: every G, B, D, F#
Standard tuning, frets 0 to 12. The highlighted notes are the notes of Gmaj7/B: any shape you build from them, anywhere on the neck, is still Gmaj7/B.
How to play Gmaj7/B
- Second finger on the A string at fret 2: B, the bass.
- Fourth finger on the high E string at fret 2: F#, the major seventh.
- D, G and B strings open: D, G and B.
- Strum from the A string. The low E stays silent: let the tip of the second finger touch it.
x20032, without moving
anything else. Use the first finger instead if your pinky is not ready
yet: the chord is the same.
Gmaj7 or Gmaj7/B?
| Symbol | Bass | Shape | Sound |
|---|---|---|---|
| Gmaj7 | G, the root | 3x0002 | Grounded, warm |
| Gmaj7/B | B, the third | x20002 | Lighter, floating |
The top of the chord is identical: D, G and B open, F# at fret 2 on the high E. Only the bass moves, from the low E at fret 3 to the A string at fret 2. Play the symbol on the chart: if the slash is there, B must be the first note you hear.
What B in the bass is good for
A slash chord is almost always there for a bass line. B sits between A and C, so Gmaj7/B lets the bass walk by step.
| Progression | Shapes | Bass line |
|---|---|---|
| Gmaj7, Gmaj7/B, C | 3x0002, x20002, x32010 | G, B, C: climbing |
| C, Gmaj7/B, Am | x32010, x20002, x02210 | C, B, A: descending |
| D, Gmaj7/B, A | xx0232, x20002, x02220 | D, B, A: the IV chord of D, lightened |
The same idea drives D/F#. And G6/B is the near twin of this chord: same bass, E on top instead of F#.
Two chords not to confuse with it
Frequently asked questions
How do you play Gmaj7/B on guitar?
What is the difference between Gmaj7 and Gmaj7/B?
What notes are in Gmaj7/B?
Is Gmaj7/B the same as G7/B?
Who made this
Guitar Social Club is the work of Yohann Abbou, a guitar teacher in Paris who teaches adults. Every shape on this page is written string by string and checked against standard tuning, and the diagrams are drawn from those same fret numbers. The rest of our free guitar tools, including the chord finder, work the same way.
More about Yohann on his page, and about why Guitar Social Club exists.