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The C#maj7 chord (C sharp major seventh) on guitar

C#maj7 is C# major with a major seventh on top, and the extra note changes the mood: brighter than C# alone, softer, a little dreamy. Its notes are C#, E#, G# and B#. E# is the same pitch as F and B# the same pitch as C; they are spelled that way because each one is a step of the C# scale. In practice you will often see this chord written Dbmaj7, and it is played the same way.

C#maj7 chord: notes and shapes at a glance

  • Name: C sharp major seventh
  • Symbol: C#maj7
  • Notes: C#, E#, G#, B#
  • Where it belongs: Imaj7 in C# major, IIImaj7 in A# minor

Each shape below is written from the thickest string to the thinnest: a number is the fret, 0 an open string, x a string you do not play. New to this? See how to read chord diagrams.

Shape Frets, low E to high E Notes, low to high What it is for
C#maj7, Cmaj7 shape x43111 C# E# G# B# E# Open Cmaj7 moved up one fret, the first finger standing in for the open strings. All four notes, close to the nut.
C#maj7, barre at the fourth fret x46564 C# G# B# E# G# The standard C#maj7: an A maj7 shape barred at fret 4.
C#maj7, barre at the ninth fret 9 11 10 10 9 9 C# G# B# E# G# C# The E maj7 shape at fret 9, six strings, root in the bass.
C#maj7, Cmaj7 shape x 4 3 1 1 1 · 3 2 1 1 1 fingers
C#maj7, barre at the fourth fret x 4 6 5 6 4 · 1 3 2 4 1 fingers
C#maj7, barre at the ninth fret 9 11 10 10 9 9

Read each diagram from the thickest string on the left to the thinnest on the right. A cross means the string is not played, a circle means it rings open.

C#maj7 on the neck: every C#, F, G#, C

Standard tuning, frets 0 to 12. The highlighted notes are the notes of C#maj7: any shape you build from them, anywhere on the neck, is still C#maj7.

Swipe the fretboard sideways to see every fret.
0
1
2
3
4
5
6
7
8
9
10
11
12
1 - E
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
2 - B
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
3 - G
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
4 - D
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
5 - A
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
6 - E
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
Spelled by the rules of harmony, C#maj7 contains E# and B#. On the fretboard they appear as F and C: the same pitch, under the name a guitarist uses day to day.

How to play C#maj7, step by step

1. Near the nut: x43111

Start from an open Cmaj7 (x32000) and move it up one fret. The open strings now need fret 1, so the first finger lies across the third, second and first strings there. Second finger on the fourth string at fret 3, third finger on the fifth string at fret 4. Leave the low E out.

2. The barre at fret 4: x46564

First finger across fret 4 from the fifth string down. Second finger on the third string at fret 5: that note is B#, the major seventh. Third finger on the fourth string at fret 6, fourth finger on the second string at fret 6. Place the fingers one at a time, starting with the second, and check that the third string rings.

3. The ninth fret: 9 11 10 10 9 9

The open E maj7 shape barred at fret 9. First finger across all six strings, second finger on the fourth string at fret 10, third finger on the third string at fret 10, fourth finger on the fifth string at fret 11. The fourth string carries B#.

The note to listen for is B#, a half step below the root. If the chord sounds like a plain C#, that string is muted; if it sounds harsh, check that you did not put a B (fret 4 on the third string) by mistake.

C#maj7 next to C# and C#7

On the barre at fret 4, only the third string decides which chord you are playing.

Chord Shape Third string Sound
C# x46664 Fret 6, C# Plain and bright
C#maj7 x46564 Fret 5, B# Soft, open, jazzy
C#7 x46464 Fret 4, B Tense, wants to move to F#

Slide all three shapes down one fret and you have C, Cmaj7 and C7. The open version of the maj7 chord, with no barre at all, is on the Cmaj7 page.

Where C#maj7 shows up

A maj7 chord sits on the I or the IV of a major key. For this one, that means the key of Db (where it is home, written Dbmaj7) and the key of Ab (where it is the IV, the chord that opens the sound up before returning). You meet it mostly in soul, jazz, R&B and soft pop, often as a gentler replacement for a plain C# or Db.

Use Shapes What it does
C#, C#maj7 x46664 to x46564 One finger lifts a fret: the chord melts.
Ab, Dbmaj7 (I to IVmaj7 in Ab) 466544 to x46564 The classic soft IV of a soul ballad.
Dbmaj7, Ebm7, Ab7 (I, ii, V in Db) x46564, x68676, 464544 A ii, V back to the I maj7: jazz in miniature.

Frequently asked questions

How do you play C#maj7 on guitar?
The usual shape is x46564. First finger barred across fret 4 from the fifth string down, third finger on the fourth string at fret 6, second finger on the third string at fret 5, fourth finger on the second string at fret 6. Do not play the low E.
What notes are in a C#maj7 chord?
C#, E#, G# and B#. E# sounds like F and B# sounds like C: the spelling follows the rule that a C# chord stacks a C, an E, a G and a B of some kind.
Is C#maj7 the same as Dbmaj7?
Yes. Same pitches, same shapes. Songs in the key of Db or Ab will write Dbmaj7, and that is the name you will meet most often on sheet music.
Is there an easier C#maj7?
x43111: the open Cmaj7 shape moved up one fret. The first finger lies across the third, second and first strings at fret 1, the second finger takes the fourth string at fret 3 and the third finger the fifth string at fret 4. It is a short barre over three strings, much lighter than the fourth fret version.
What is the difference between C#maj7 and C#7?
The seventh. C#maj7 adds B#, a half step below the root: soft, settled. C#7 adds B, a whole step below: tense, pulling to F#. On the fourth fret barre, only the third string changes, fret 5 for maj7 and fret 4 for 7.
Yohann Abbou, guitar teacher and founder of Guitar Social Club

Who made this

Guitar Social Club is the work of Yohann Abbou, a guitar teacher in Paris who teaches adults. Every shape on this page is written string by string and checked against standard tuning, and the diagrams are drawn from those same fret numbers. The rest of our free guitar tools, including the chord finder, work the same way.

More about Yohann on his page, and about why Guitar Social Club exists.