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The G#maj7 chord (G sharp major seventh) on guitar

G#maj7 is a G# major chord with a major seventh on top, the soft, slightly dreamy sound of ballads and jazz. Its notes are G#, B#, D# and F##. Two of those look strange: B# is the same pitch as C, and F## the same pitch as G. That is why most charts write the chord Abmaj7, spelled Ab, C, Eb, G. Same chord, same shapes.

G#maj7 chord: notes and shapes at a glance

  • Name: G sharp major seventh
  • Symbol: G#maj7
  • Notes: G#, B#, D#, F##

Each shape below is written from the thickest string to the thinnest: a number is the fret, 0 an open string, x a string you do not play. New to this? See how to read chord diagrams.

Shape Frets, low E to high E Notes, low to high What it is for
G#maj7, four strings xx6543 G# B# D# F## No barre, one finger per fret. The open Fmaj7 shape moved up three frets, with G# on the D string.
G#maj7, jazz shape 4x554x G# F## B# D# Root in the bass and all four notes, no barre. Mute the A string and high E with the fingers that are already down.
G#maj7, barre at the fourth fret 465544 G# D# F## B# D# G# The open Emaj7 shape barred at fret 4. The G# barre chord with the D string lowered one fret.
G#maj7, eleventh fret x 11 13 12 13 11 G# D# F## B# D# The Amaj7 shape at fret 11: first finger across, then fret 13 on the fourth string, fret 12 on the third, fret 13 on the second.
G#maj7, four strings x x 6 5 4 3 · · 4 3 2 1 fingers
G#maj7, jazz shape 4 x 5 5 4 x 2 · 3 4 1 · fingers
G#maj7, barre at the fourth fret 4 6 5 5 4 4 1 4 2 3 1 1 fingers
G#maj7, eleventh fret x 11 13 12 13 11

Read each diagram from the thickest string on the left to the thinnest on the right. A cross means the string is not played, a circle means it rings open.

G#maj7 on the neck: every G#, C, D#, G

Standard tuning, frets 0 to 12. The highlighted notes are the notes of G#maj7: any shape you build from them, anywhere on the neck, is still G#maj7.

Swipe the fretboard sideways to see every fret.
0
1
2
3
4
5
6
7
8
9
10
11
12
1 - E
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
2 - B
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
3 - G
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
4 - D
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
5 - A
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
6 - E
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
Spelled by the rules of harmony, G#maj7 contains B# and F##. On the fretboard they appear as C and G: the same pitch, under the name a guitarist uses day to day.

How to play G#maj7, step by step

1. One finger per fret: xx6543

This is the open Fmaj7, xx3210, moved up three frets: the open high E of Fmaj7 becomes fret 3, so every string now needs a finger. First finger on the high E at fret 3, second on the B string at fret 4, third on the G string at fret 5, fourth on the D string at fret 6. The fingers fall in a diagonal line. Strum from the D string.

2. The jazz shape: 4x554x

Second finger on the low E at fret 4 (G#), third finger on the D string at fret 5 (F##), fourth finger on the G string at fret 5 (B#), first finger on the B string at fret 4 (D#). The second finger leans on the A string to mute it, and the first finger's pad touches the high E. You get the root in the bass and all four notes, with no barre.

3. The full barre: 465544

Start from the G# barre chord, 466544. The only change is the D string: fret 5 instead of fret 6. That lowered note is the major seventh. Fingering: first finger across fret 4, fourth finger on the A string at fret 6, second and third fingers on the D and G strings at fret 5.

If the barre is hard to hold, the four string shape xx6543 is not a shortcut: it has all four notes, and in a band it often sounds cleaner than six strings.

G#maj7 next to G# and Gmaj7

Chord Notes Common shape
G#maj7 (Abmaj7) G#, B#, D#, F## 465544
G# (Ab) G#, B#, D# 466544
Gmaj7 G, B, D, F# 3x0002

Watch the sharp: a chart that says Gmaj7 wants a chord a half step lower, played open. The Gmaj7 chord has its own page.

Where it is used

In practice you will read it as Abmaj7. In the key of Ab it is the home chord, the Imaj7; in the key of Eb it is the IVmaj7, the chord that opens up the sound before the music comes back. That IV to I move, Abmaj7 to Eb, is a common way for a ballad to come home.

The barre shape is the open Emaj7, 021100, moved up four frets, and the four string shape is Fmaj7 moved up three. Learn the major seventh sound first on Cmaj7, the one most players meet before any other.

Frequently asked questions

How do you play a G#maj7 chord on guitar?
The easiest complete shape is xx6543: fourth finger on the D string at fret 6, third finger on the G string at fret 5, second finger on the B string at fret 4, first finger on the high E at fret 3. Strum the top four strings only. With a barre, play 465544 at the fourth fret.
Is G#maj7 the same as Abmaj7?
Yes. G# and Ab are the same pitch, so G#maj7 and Abmaj7 are one chord with the same shapes. Most chord charts write Abmaj7, because the keys it lives in, Ab major and Eb major, are written with flats.
What notes are in G#maj7?
G#, B#, D# and F##: root, major third, fifth and major seventh. B# is the same pitch as C and F## the same pitch as G, which is why the Ab spelling, Ab, C, Eb, G, is easier to read.
What is the difference between G#maj7 and G#7?
The seventh. G#maj7 has the major seventh, F## (G), a half step below the root: soft and settled. G#7 has the minor seventh, F#, a whole step below: bluesy, and it wants to move. On a chart, maj7 means the first, a plain 7 means the second.
Yohann Abbou, guitar teacher and founder of Guitar Social Club

Who made this

Guitar Social Club is the work of Yohann Abbou, a guitar teacher in Paris who teaches adults. Every shape on this page is written string by string and checked against standard tuning, and the diagrams are drawn from those same fret numbers. The rest of our free guitar tools, including the chord finder, work the same way.

More about Yohann on his page, and about why Guitar Social Club exists.