G6/B may be the easiest chord on this site to play: one finger, four open strings. It holds the same notes as G6, G, B, D and E, but the lowest note is B, the third of the chord, instead of G. That small change makes it lighter and gives the bass line somewhere to go.
G6/B chord: notes and shapes at a glance
- Name: G major sixth over B
- Symbol: G6/B
- Notes: G, B, D, E
- Bass note: B, the lowest note you play
Each shape below is written from the thickest string to the thinnest: a
number is the fret, 0 an open string, x a string you
do not play. New to this? See how to read chord diagrams.
| Shape | Frets, low E to high E | Notes, low to high | What it is for |
|---|---|---|---|
| G6/B, one finger | x20000 | B D G B E | One finger on the A string at fret 2, five strings ringing. B is the lowest note. |
| G6/B, with D on top | x20030 | B D G D E | Adds D on the B string at fret 3. Same chord, a slightly darker top. |
| G6/B, with E doubled | x22030 | B E G D E | E on the D string as well. The sixth comes forward, and the chord leans toward Em7. |
Read each diagram from the thickest string on the left to the thinnest on the right. A cross means the string is not played, a circle means it rings open.
G6/B on the neck: every G, B, D, E
Standard tuning, frets 0 to 12. The highlighted notes are the notes of G6/B: any shape you build from them, anywhere on the neck, is still G6/B.
How to play G6/B
- Put the second finger on the A string at fret 2. That note is B, the bass.
- Leave the D, G, B and high E strings open. They give D, G, B and E.
- Start the strum on the A string. The low E must stay silent: E in the bass would turn the chord into an Em7.
G6 or G6/B: which one does the chart want?
| Symbol | Bass | Shape | Sound |
|---|---|---|---|
| G6 | G, the root | 320000 | Grounded, full |
| G6/B | B, the third | x20000 | Lighter, floating |
The top four strings are identical in both shapes. To go from G6 to G6/B, take the third finger off the low E and stop strumming that string. The second finger does not move.
Why put B in the bass
An inversion is mostly about the bass line. With B under the chord, G6/B sits one step from C above it and one step from A below it, so the bass can walk instead of jumping.
| Progression | Shapes | Bass line |
|---|---|---|
| G, G6/B, C | 320003, x20000, x32010 | G, B, C |
| C, G6/B, Am | x32010, x20000, x02210 | C, B, A: a descending line |
| G6/B, Em7 | x20000, 022030 | B down to E, the top strings almost still |
The same walking idea is behind D/F#, and Gmaj7/B is the twin of this chord with F# on top instead of E.
A G6/B is also an Em7/B
G6 and Em7 are built from the same
four notes. Once B is in the bass, nothing in the chord says G more than E.
The name comes from the song: after a G, in the key of G, write G6/B; inside
an E minor passage, Em7/B. The third shape above, x22030,
doubles the E and already sounds more like the minor reading.
Frequently asked questions
How do you play G6/B on guitar?
What is the difference between G6 and G6/B?
What does the slash mean in G6/B?
Is G6/B the same as Em7/B?
Who made this
Guitar Social Club is the work of Yohann Abbou, a guitar teacher in Paris who teaches adults. Every shape on this page is written string by string and checked against standard tuning, and the diagrams are drawn from those same fret numbers. The rest of our free guitar tools, including the chord finder, work the same way.
More about Yohann on his page, and about why Guitar Social Club exists.